Contextual Research
Modular Typography
Geometric or modular
typography good way for graphic designers experimenting with type design –
beginners – dissatisfied with the limits of commercial fonts at the time –
simple – strict rules – construction – some more legible than others – design
challenge – problem solving – e.g. Fonstruct – easy and accessible – Latin
alphabet does not only use modular elements – when set in lines of text –
faults more visible – when rules applied – lose subtle details – and
relationships between white space and stroke widths – certain characters look
great in isolation – look odd in a block of text – applying the same rules to
each letter won’t always fit
Balance – needed – characters
should not be top heavy
Widths – modular type often
uses same width – creates different white space inside each character –
The joins – points where two
strokes cross or meet – joins clog up – heavy area appears – needs to be
trimmed from the inside – to push the curve down
S’s – hard to balance two
open counters – placing two circular halves together – leaves a kink in the
middle – needs to be smoothed to create one stroke
Stroke widths – horizontal
and vertical strokes should not be the same thickness – horizontal strokes look
thickest
Overshoot – circle same
height as square – appears smaller – optical illusion – curve needs to increase
in size – seems level with horizontal lines
Spacing – circles and
squares equally spaced apart – squares appear closer than rounded – extra space
needed between square shapes to achieve balance
Letraset Transfers
Letraset produced instant dry
transfer typefaces
Enabled people to set their
own display type without the need for expensive materials
Used by both designers and
the public – allowed DIY graphic design
As well as typefaces
letraset produced graphic signs, symbols and shapes
To create the transfers
letters were screenprinted onto the back of a polyethelene carrier sheet and
then overprinted with a low tack adhesive
Guidelines on the transfers
allowed for easier alingnment however much was done by eye
Increased understanding of
kerning and letterspacing
Initially there could be
problems with letters breaking or bubbling due to exposure to dust etc.
Letracolour were whole
sheets of coloured transfer paper which stencils could be cut from
Instantex was a shading
medium which allowed for adding tone and texture to designs. They were non-mechanical
in appearance and allowed creative control for the user.
Drafting Stencils
Drafting templates are used
when the same shape is to be used multiple times
They are flat pieces of
plastic which basic shapes are cut from
They are useful for
architectural drawings as other specific symbols were created
Stencils of letters are also
available
The tool saves time when
compared with having to measure shapes out using traditional tool e.g. compass
and ruler
The tool is consistently
very accurate making them reliable
Calligraphy Pens
Pointed Nibs – used for script – very fine pointed nib –
elastic – stroke width can be varied – pressure during writing – only apply
pressure on the down strokes – nib get stuck on the paper
Chiseled Nibs – for classic calligrapy stiles – slanted
straight tip – tip is always broad – don’t need change the angle of the writing
hand – down strokes get a broad stroke – sideways get a thin stroke – nibs have
an ink resovior – don’t have to dip them as often as pointed nibs – don’t flex
at all – broaest stroke the width of the nib
Poster nib – bigger and broader – used for bigger formats –
smooth tip – can be pushed upwards when writing
- integrated ink resovior – use a lot of ink while writing
Round or Monoline nibs – angled plate at the tip - steady and monoline stroke – nibs very
smooth and flow well when writing – uniform writing style – twist the nib vary
the stroke width
Drawing nibs – fine and pointy – for fine lines and hatching
– best for drawing –
Ballpoint nibs – round ball at the tip – smooth and easy –
robust – produce thick and consistent lines – slightly flexible ballpoint nibs
Unusual nibs
Double line nibs – divided in the middle – lines vary
depending on nib
Square ballpoint nibs – small plate at the tip – square –
produce a line with defined corners
Music nibs and music ruling nibs – music nibs - three tine –
very elastic – ink flows well – originally for writing musical notes down –
music ruling nibs – draw the musical stave – five little tips – drawing
ornaments
Drawing Pen – more for graphic uses – drawing straight lines
or circles – two tines – tines regulated by adjusting the screw – ink applied
to tines - robust – classic for graphic
designers, draughtsman and cartographers
Bamboo Pen – pointed bamboo stick – lively flowing lines –
write fast with them – dip them often – smooth write
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