Sunday, 23 April 2017

Study Task 05: Studio Brief 2 - Research

Contextual Research

 

Modular Typography


Geometric or modular typography good way for graphic designers experimenting with type design – beginners – dissatisfied with the limits of commercial fonts at the time – simple – strict rules – construction – some more legible than others – design challenge – problem solving – e.g. Fonstruct – easy and accessible – Latin alphabet does not only use modular elements – when set in lines of text – faults more visible – when rules applied – lose subtle details – and relationships between white space and stroke widths – certain characters look great in isolation – look odd in a block of text – applying the same rules to each letter won’t always fit
Balance – needed – characters should not be top heavy
Widths – modular type often uses same width – creates different white space inside each character –
The joins – points where two strokes cross or meet – joins clog up – heavy area appears – needs to be trimmed from the inside – to push the curve down
S’s – hard to balance two open counters – placing two circular halves together – leaves a kink in the middle – needs to be smoothed to create one stroke
Stroke widths – horizontal and vertical strokes should not be the same thickness – horizontal strokes look thickest
Overshoot – circle same height as square – appears smaller – optical illusion – curve needs to increase in size – seems level with horizontal lines
Spacing – circles and squares equally spaced apart – squares appear closer than rounded – extra space needed between square shapes to achieve balance  
  

Letraset Transfers


Letraset produced instant dry transfer typefaces
Enabled people to set their own display type without the need for expensive materials
Used by both designers and the public – allowed DIY graphic design
As well as typefaces letraset produced graphic signs, symbols and shapes
To create the transfers letters were screenprinted onto the back of a polyethelene carrier sheet and then overprinted with a low tack adhesive
Guidelines on the transfers allowed for easier alingnment however much was done by eye
Increased understanding of kerning and letterspacing
Initially there could be problems with letters breaking or bubbling due to  exposure to dust etc.
Letracolour were whole sheets of coloured transfer paper which stencils could be cut from
Instantex was a shading medium which allowed for adding tone and texture to designs. They were non-mechanical in appearance and allowed creative control for the user.


Drafting Stencils


Drafting templates are used when the same shape is to be used multiple times
They are flat pieces of plastic which basic shapes are cut from
They are useful for architectural drawings as other specific symbols were created
Stencils of letters are also available
The tool saves time when compared with having to measure shapes out using traditional tool e.g. compass and ruler

The tool is consistently very accurate making them reliable


Calligraphy Pens

Pointed Nibs – used for script – very fine pointed nib – elastic – stroke width can be varied – pressure during writing – only apply pressure on the down strokes – nib get stuck on the paper
Chiseled Nibs – for classic calligrapy stiles – slanted straight tip – tip is always broad – don’t need change the angle of the writing hand – down strokes get a broad stroke – sideways get a thin stroke – nibs have an ink resovior – don’t have to dip them as often as pointed nibs – don’t flex at all – broaest stroke the width of the nib
Poster nib – bigger and broader – used for bigger formats – smooth tip – can be pushed upwards when writing  - integrated ink resovior – use a lot of ink while writing
Round or Monoline nibs – angled plate at the tip  - steady and monoline stroke – nibs very smooth and flow well when writing – uniform writing style – twist the nib vary the stroke width
Drawing nibs – fine and pointy – for fine lines and hatching – best for drawing –
Ballpoint nibs – round ball at the tip – smooth and easy – robust – produce thick and consistent lines – slightly flexible ballpoint nibs
Unusual nibs
Double line nibs – divided in the middle – lines vary depending on nib
Square ballpoint nibs – small plate at the tip – square – produce a line with defined corners
Music nibs and music ruling nibs – music nibs - three tine – very elastic – ink flows well – originally for writing musical notes down – music ruling nibs – draw the musical stave – five little tips – drawing ornaments
Drawing Pen – more for graphic uses – drawing straight lines or circles – two tines – tines regulated by adjusting the screw – ink applied to tines  - robust – classic for graphic designers, draughtsman and cartographers
Bamboo Pen – pointed bamboo stick – lively flowing lines – write fast with them – dip them often – smooth write


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